Buxton Festival 2010 - music events

Summer of Festivals in Derbyshire 2010

As a part of our 2010 Derbyshire Festivals coverage, we've toiled away to find out all the places and locations of Well Dressings this summer across the whole of Derbyshire. 

Buxton Festival runs from July 7 – 25 2010: Music Listings

Buxton Festival 2010Order a brochure for the Buxton Festival now: 01298 70395
Book tickets from March 31: 0845 12 72 190

Visit: www.buxtonfestival.co.uk

 

  • The Mandolinquents
    8 July ,1pm 1 hour
    £12
    At the dawn of a new age of mandolin activity, an all star cast hits Buxton to pay homage to the heyday of mandolin orchestras (the 1920s, 30s, 40s, and, er, the 1780s), raising the level of mandolin consciousness for generations to come! 

    Fresh from recent tours of the Arctic Circle, China, the jungles of Borneo and most places in-between come the Mandolinquents, including the mighty mandobass (‘yes, I think we have one in stock, Madam’).  Expect reels and traditional airs, hot swing and ragtime, Mozart and Tchaikovsky, Brazilian folk melodies and much more...played, and sometimes sung, with infectious fun, stunning virtuosity and offbeat humour.
  • Ensemble 360
    8 July, 3pm, 1 hour 40 minutes
    £18

    Mozart Oboe Quartet, K370
    Howells Rhapsodic Quintet
    Britten Phantasy Quartet, opus 2
    Mozart Clarinet Quintet, K581

    Ensemble 360 has gained an enviable reputation across the UK as an ensemble of outstanding musicians and for its ability to communicate to audiences. Formed in 2005 the group brings together up to 11 world class musicians to offer informal, friendly and relaxed concerts, performing ‘in the round’ where possible. These friends share a passion for music which radiates through each performance.

    The emotional chemistry here was manifestly unusual… pure magic
    The Sunday Telegraph
  • Graffiti Classics
    8 July, 9.45pm, 1 hour
    £10

    Graffiti Classics are guaranteed to leave you with a smile on your face – sixteen strings, eight dancing feet and four voices. Not gypsy, not jazz, not trad, not classical – but scintillating performance with brilliant arrangements and mischievous humour.

    I can't rid my mind of the image of the Pizzicato Polka with the bass tucked crosswise under his chin – God knows, I've tried
    The Daily Mail

    This show is a wonderful antidote for those who think that classical music is as staid as stained-glass
    The Times
  • The Bach Cello Suites
    9 July
    11am
    1 hour 25 minutes
    £20

    2.30pm
    1 hour 25 minutes
    £20

    Tim Hugh cello

    11am Suites 1, 3, 5
    2.30pm Suites 2, 4, 6

    Bach’s Six Suites for Unaccompanied Cello are acclaimed as some of the greatest works ever written for solo cello. Full of light and shadow, sorrow and joy, Bach expresses a huge range of emotions in this intimate music, presented here in two concerts in the beautiful little theatre at Chatsworth House.

    Tim Hugh enjoys an immensely varied career incorporating chamber music, solo recitals and concertos while maintaining his position as principal cellist with the London Symphony Orchestra. He regularly appears as soloist with the world’s leading orchestras and conductors and has recorded much of the solo repertoire. BBC music magazine described his 2006 recording of the Suites as ‘the best performance on a modern cello’.

    Britain should be proud of Tim Hugh – an artist of world stature
    Musical Opinion
  • A Good Reed?
    10 July  
    £12
    1pm  
    1 hour

    Audiences have come to expect the unexpected at A Good Reed’s concerts, as the four madcap exponents of woodwind lowlife continue their attempt at world domination.  Now with a new member to train (or tame?), will they be able to convince us that the bassoon can be more than ‘an acoustic travesty’ 
  • Madeleine Mitchell   violin
    Noriko Ogawa piano
    11 July  
    £12
    1pm  
    1 hour

    Bridge   Mélodie
    Debussy  Sonate
    Takemitsu  From far beyond Chrysanthemums and November Fog
    Franck   Violin Sonata in A

    This exciting new Anglo-Japanese collaboration between Madeleine Mitchell and Noriko Ogawa is supported by the Great Britain Sasakawa Foundation.  Delightful short pieces by Bridge and Takemitsu are paired with favourites of the violin repertoire by Franck and Debussy, who influenced Takemitsu.    Madeleine Mitchell is one of the country’s most distinguished musicians, well known for her imaginative programming.  She recently gave recitals in Sydney Opera House and the Seoul Center for the Arts as part of a three month world tour.

    The magnificent Mitchell…dedicated penetrating musicianship  
    BBC Music Magazine
  • Calefax
    11 July
    £18
    3pm
    1 hour 40 minutes

    Mendelssohn The Hebrides overture
    Debussy Suite Bergamasque
    Tchaikovsky Overture from the Nutcracker Suite
    Tchaikovsky / Duke Ellington Nutcracker Jazz Suite
    Steve Reich New York Counterpoint

    Few groups are truly unique, yet that epithet applies to firm Festival friends Calefax. With over 600 concerts in 20 countries, Calefax is in great demand worldwide, performing standing up, sometimes from memory, and always engaging audiences with their musicianship and virtuosity. Most importantly, they arrange, recompose and interpret music from eight centuries to suit their unique line-up: from early music to classics and jazz, in the hands of Calefax all sounds fresh and new.

    We tapped our feet too at the concert by Calefax – five extremely gifted Dutch gents who almost made the wind quintet seem the best musical format on the planet
    The Times
  • Music of the Night with Rebecca Caine and James Church
    11 July
    £10
    9.45pm
    1 hour

    Internationally renowned soprano Rebecca Caine shot to fame as the star of Les Miserables and later opened the Toronto production of The Phantom of the Opera. Now a major star of musical theatre and opera on both sides of the Atlantic, Rebecca sings some of her favourites from The Phantom of the Opera, Les Miserables, Follies and Ragtime!

Music of the Night with Rebecca Caine and James Church at Buxton Festival
Music of the Night with Rebecca Caine and James Church

  • Alicja Śmietana violin Evelyne Berezovsky piano
    12 July
    £12
    1pm
    1 hour

    Grieg Sonata no.1, opus 8
    Schubert Rondo in A, D438
    Saint-Saëns Danse Macabre

    Wieniawski Fantaisie brillante on themes from Faust, opus 20 Polish born Alicja Śmietana has been described by San Francisco music critics as ‘extraordinary brilliant and sensitive’ and she has already gained the respect as soloist and chamber musician of world-famous musicians including Gidon Kremer, Yuri Bashmet, Misha Maiski, Martha Argerich and Thomas Zehetmair. A multi-prizewinner in international competitions, Alicia presents a varied programme from the lyrical folk character and drama of Grieg's Sonata to Wieniawski’s great showpiece.

    While working with Alicja I found not only a brilliant musician but a colleague interested primarily in the greater good of music
    Nigel Kennedy
  • Music at Twilight
    12 July
    £18
    3pm
    1 hour 30 minutes

    Emma Kirkby soprano Jakob Lindberg lute Emma Kirkby offers her own Grand Tour of seventeenth-century Europe, with a programme from the decades that marked the twilight of the Renaissance and the dawn of the Baroque age, with music by Dowland, Purcell, Schütz and Lawes.

    Emma’s voice is richer and intensely expressive...her richly coloured interpretations of English songs show that the timbre of her voice, enhanced by a gentle vibrato, has mellowed over the years. Jakob accompanied gracefully throughout and offered several elegant solos
    New York Times
  • John Lill piano
    13 July
    £18
    1pm
    1 hour

    Mozart Sonata in F,
    K332 Brahms Rhapsody, opus 79
    Schumann Carnaval, opus 9

    Known worldwide for his aristocratic interpretations of the great nineteenth-century masters, John Lill recently celebrated his 60th birthday. His programme culminates in Schumann’s musical representation of an elaborate and imaginative masked ball during carnival season.

    Lill played the busy piano part it as though it was the easiest thing in the world, his hands rippling over the keys with never a missed note, in a performance that was never just a vehicle for showing off, but thoughtfully musical
    Seattle Post
  • The Russian Chamber Philharmonic St Petersburg conducted by Juri Gilbo
    13 July
    £18
    3pm
    1 hour 40 minutes

    Grieg Holberg Suite, opus 40
    Tzintsadze Georgian Folk Dances
    Bach Violin Concerto in E
    Bartok Romanian Dances
    Tchaikovsky Serenade for Strings, opus 48

    Two years ago Festival audiences were thrilled by the superb playing of this string orchestra and we are delighted to offer a return visit, when they bring Tchaikovsky’s sparkling Serenade, written as homage to Mozart's own serenades, and Grieg’s folk-inspired dance suite. Juri Gilbo and his orchestra gave the music their Russian soul and so won the hearts of the Germans.

    An unforgettable event!
    Osterländer Volkszeitung
  • Sarah-Jane Brandon soprano Gary Matthewman piano
    14 July
    £12
    1pm
    1 hour

    Schumann Frauenliebe und leben, opus 42
    Liszt 3 songs
    Rachmaninov 6 songs

    Winner of the 2009 Kathleen Ferrier Competition, South African Sarah-Jane Brandon sings Schumann’s cycle of a woman’s response to love and life, coupled with Rachmaninov’s beautiful and romantic songs. Meet one of tomorrow's divas.

    The way she physically projects herself, with eloquence in her eyes and hands, recalls the days of silent cinema. For a 25-year-old, her artistry is astonishingly mature. A born recitalist, she has an instinctive understanding of this difficult game. Covent Garden surely beckons.
    The Independent
  • Primrose Piano Quartet
    14 July
    £18
    3pm
    1 hour 40 minutes

    Mozart Piano Quartet in G minor,
    K478 Alwyn Rhapsody
    Strauss Piano Quartet in C minor, opus 13

    The Primrose Piano Quartet includes some of the UK's most renowned chamber musicians, with years of experience gained in the Lindsay, Sorrel and Edinburgh Quartets. They have a particular passion for lesser-known English music and sandwiched between mature Mozart and youthful Strauss is the music of William Alwyn, an unashamed Romantic who preferred his music to appeal to the heart rather than to the head.

    Their playing is selflessly beautiful…everything seems to be just right
    The Strad
  • A German Journey with the Festival Chorus
    15 July
    12.30pm
    £10
    1 hour with Annette Saunders piano

    Our celebrated chorus enjoys a musical sojourn in German, celebrating the bicentenary of Schumann’s birth and sampling the Teutonic delights of songs and ensembles by Cornelius and Nicolai. Their stunning Rossini concert last year was a Festival highlight for many, so expect a journey to delight.

    The Festival Chorus – vital, disciplined and sensitive
    The Independent
  • El Ultimo Tango
    15 July
    £10
    9.45pm
    1 hour

    El Ultimo Tango is a quintet created by Eduardo Vassallo, the amazing principal cellist of the CBSO. With a line-up of flute, sax, cello, bass and piano, they specialise in music from Eduardo’s native Argentina with particular emphasis on the unforgettable music of Astor Piazzolla and have performed all over the UK. El Ultimo Tango clearly greatly empathises with Piazzolla’s vibrant, fiery tango music.

    They play with joie de vivre. There is a feeling of freshness and spontaneity about it all MusicWeb Assured and affectionate playing
    International Record Review
  • Viardot – tribute to a genius
    16 July
    £12
    12.30pm
    1 hour with Miroslava Yordanova mezzo-soprano, Giulio Zappa piano introduced by Julian Smith

    Pauline Viardot was a hugely talented pianist, singer and composer, and friend of Chopin, Liszt, Gounod, Berlioz, Saint-Saëns, Turgenev and George Sand. This lecture recital, marking the 100th anniversary of her death at the age of 88, describes her world and famous friends, including some of the many songs she wrote and the operatic arias with which she was especially associated.
  • The Academy of Ancient Music
    16 July
    £18
    3pm
    1 hour 40 minutes

    Pavlo Beznosiuk violin
    Elin Manahan Thomas soprano
    Vivaldi The Four Seasons, opus 8 and ‘seasonal’ arias by Purcell and Handel

    Vivaldi’s most popular work was originally entitled ‘The Contest between Harmony and Invention’ and helped define the concerto form. The Academy of Ancient Music cleverly intersperses the violin concertos with arias from The Fairy Queen, The Triumph of Time and Truth, Ezio and Giulio Cesare, sung by the leading baroque singer Elin Manahan Thomas, who many will remember from her role here in Samson.

    The AAM is on glorious form: the strings have a bite, precision and vibrancy any orchestra would envy International
    Record Review
  • My Darling Clemmie
    16 July
    £12
    3pm
    1 hour 10 minutes with Rohan McCullough written by Hugh Whitemore directed by Gareth Armstrong

    ‘My most brilliant achievement was my ability to be able to persuade my wife to marry me’ Winston Churchill My Darling Clemmie is the remarkable, moving and highly entertaining story of the woman who married one of the truly great figures of the last century: Sir Winston Churchill, performed by the remarkable Rohan McCullough.

    Compelling, engaging, intimately and beautifully realised – an unforgettable performance
    Roger Graef, Complicite Theatre Company
  • 'So, what's my motivation?’
    17 July
    £6
    1pm
    1 hour

    Alessandro Talevi, fresh from directing The Barber of Baghdad, guides willing volunteers from the Festival chorus in an opera workshop exploring the inner workings of the director’s mind!
  • One Morning in May
    17 July
    £18
    2.30pm
    1 hour 40 minutes

    The stunning Dufay Collective presents a concert of English music from the 12th to 17th centuries in the beautiful and ancient ‘Cathedral of the Peak’. Tracing the roots of traditional song and dance music from Westron Wynd, Miri it is and Sumer is icumen in, they mix instrumental dances on pipes, flutes, vielle, harps, gittern, psaltery, fiddle and gurdy with ballads and dances heard in the streets and taverns of Renaissance London.
  • Di Xiao piano
    18 July
    £12
    1pm
    1 hour

    Mozart Sonata in Bflat, K570
    Mendelssohn Songs without words
    Grieg Lyric Pieces, opus 43
    Debussy Deux Arabesques
    Debussy L’Isle Joyeuse

    Two years ago the diminutive and charming Di Xiao gave us a superb recital and we welcome her again after a year when she has thrilled audiences across Europe on her Rising Star Tour, taking in 12 of the most prestigious concert halls from Athens to Barcelona. Other tours have taken her to Singapore, India, Malaysia and China.

    The Chinese pianist Di Xiao presents a demanding programme of Beethoven, Chopin, Ravel and Messiaen that takes your breath away
    Kölner Philharmonie
  • Dante Quartet
    18 July  
    £18
    3pm  
    1 hour 40 minutes

    Cornelius Quartet no.3 in G major
    Verdi  String Quartet
    Debussy  Quartet in G minor, opus 10

    Winner of the prestigious Royal Philharmonic Society Award for Chamber Music and the Chamber Music section of the BBC Music Magazine Awards, the Dante Quartet is known for its imaginative programming and the emotional intensity of its performances.  Here they offer a chance to hear our opera composers in chamber guise, including what is thought to be the first modern performance of a quartet by Peter Cornelius.

    This was just the sort of event that makes festival-going worthwhile 
    The Financial Times
     
    When the first notes sounded it was, thrillingly, as though Beethoven was speaking to us direct 
    The Sunday Times 
  • Giselle
    19 July  
    £10 stalls, £16 circle
    2pm  
    2 hours

    Giselle is the ultimate Romantic ballet, a tale of innocence, betrayal and the redemptive power of true love, and one of the greatest and most popular ballets.  With outstanding classical dancers and expansive choreography this production by Independent Ballet Wales has original choreography, expressive costumes and atmospheric sets to make one of the most thrilling and entertaining dance events of the year.

    Please note: this performance uses recorded music

Giselle at Buxton Festival

Giselle at Buxton Festival
  • Hannah Marcinowicz  saxophone
    John Reid   piano

    19 July  
    £12
    3pm  
    1 hour

    Demersseman   Fantaisie sur un Thème Original
    Debussy   Syrinx
    Hanabe No Uta   Traditional Japanese Song
    Milhaud   Scaramouche
    Grieg    Once Upon A Time
    Matitia    Au bonheur des dames
    De Rose   Deep Purple

    Hannah is winning many new friends for the saxophone.  Already an established soloist with the Philharmonia, LSO and BBC orchestras, she has given recitals at the Purcell Room, Wigmore Hall and the Royal Festival Hall and was awarded the prestigious Médaille d'Or for chamber music.

    A superb young saxophonist 
    The Times
  • Tales of Terror
    19 July
    £10
    9.45pm 
    1 hour

    Welcome to the quietly sinister world of the ghost story…where withered hands snatch at passers-by, rickety scarecrows lie chained to iron beds, and unpleasant surprises lurk among the tea leaves… Pop into the antique shop where old paintings and doll’s houses suddenly come to life... or leaf through dusty books filled with shockingly lifelike pictures of hideous creatures and locks of hair pasted between the pages.  But if you find buried crowns down on the beach, leave them well alone –they have probably been left there for a very good reason.

    Join The Happiness Patrol for an intimate evening of gentle chills and pleasing terrors from acknowledged masters of the macabre.

    Not recommended for those aged under 12!
  • A Samuel Barber Celebration
    20 July 
    1pm  
    £12 
    1 hour with the Festival Chorus and Buxton Festival Ensemble
    conductor Andrew Greenwood

    A Hand of Bridge
    Dover Beach
    Agnus Dei (Adagio for Strings)
    Sure on this shining night

    Samuel Barber was one of the twentieth-century's most accomplished composers for the voice and the enlarged chorus and ensemble marks the centenary of Barber’s birth with a staged performance of his short chamber opera A Hand of Bridge, directed by Alessandro Talevi.  As one famous opera guide remarks, ‘less has been said by many longer operas’!  Also included are Dover Beach, with string quartet accompaniment and one of his most successful compositions, and the famous Adagio for Strings, equally effective and ethereal when transformed for voices as Agnus Dei. 
  • The Café Band Tangos into the Movies
    20 July  
    £18
    3pm  
    1 hour 40 minutes

    Expect another sell-out for this off-beat septet from Opera North in an ingenious programme combining their favourite tango music with links to music from their favourite films!  So expect to Breakfast at Tiffany’s (where Some Like it Hot), experience the Scent of a Woman, cruise on the Showboat with Eyes Wide Shut and finally Escape to Happiness after a West Side Story!
  • Opera Scenes
    Luisa Miller

    21 July
    11am  
    £8  
    1 hour

    An excellent introduction to the Festival operas, as members of the Festival Company understudying main roles enjoy their own performance of scenes with piano accompaniment, introduced by Andrew Greenwood. 
  • Mary Plazas   soprano
    Paul Nilon   tenor
    Andrew Greenwood  piano
    21 July
    £12
    1pm  
    1 hour
                  
    Two of the country’s most versatile singers take time off from Idomeneo to share their extensive repertoire in songs and duets by Mozart, Haydn, Schumann, Donizetti, Britten and Somervell.  A Festival special!
  • sinfonia ViVA

    21 July  
    £18
    3pm  
    1 hour 40 minutes
    conducted by Nicholas Kok

    Mozart     Divertimento, K136
    Strauss     Metamorphosen for 23 solo strings
    Strauss  Sextet from Capriccio
    Verdi       String Quartet, arranged for string orchestra

    In a programme built around this year’s opera composers, sinfonia ViVA offers the autumnal preface to Capriccio and the late flowering of Strauss’s brilliance in his Metamorphosen, an intensely personal reflection on war-torn Germany.  Mozart and Verdi, two great opera composers, show that the absence of voices is no impediment to their genius!
  • Dulsori
    21 July  
    £8
    5pm  
    1 hour

    Dulsori at Buxton FestivalDulsori (literally ‘wild beat’s ) rekindles the spirit of ancient Korea.  From the intimacy of the heartbeat to the sizzling energy and passion of the full group, the frighteningly agile troupe whirls, twists, dances and defies gravity as they combine the age-old traditions and modern spectacle of their national art.
  • Jonathan Lemalu  bass baritone
    Michael Hampton  piano

    22 July  
    £12
    12.30pm 
    1 hour
    Programme to include songs by Schubert, Mahler, Finzi and Poulenc  

    Jonathan Lemalu is a Pacific jewel.  A powerful, warm and captivating bass baritone, Festival-goers have had the pleasure of seeing him develop into one of the most sought-after talents on the international concert, operatic and recital circuit.  We’ve enticed him to our opera stage for the first time this year, and of course we had to ask for a recital as well!

    Jonathan Lemalu’s voice is glorious, his stage presence warm and masterly  
    The Observer
  • Opera Scenes
    The Barber of Baghdad

    23 July
    11am
    £8  
    1 hour
     
    An excellent introduction to the Festival operas, as members of the Festival Company understudying main roles enjoy their own performance of scenes with piano accompaniment, introduced by Andrew Greenwood.
  • Sofya Gulyak  piano
    23 July  
    £12
    1pm  
    1 hour

    Chopin
    2 nocturnes, opus 55
    Polonaise-phantasy, opus 61
    2 Scherzos, opp. 20, 39
    2 Mazurkas, opus 59
    Ballade in G minor, opus 23

    The Russian pianist Sofya Gulyak scooped first prize in the 2009 Leeds International Piano Competition, the first woman so to do.  This crowned success in other major competitions in Helsinki, Copenhagen and South Korea.  She marks Chopin’s bicentenary with a programme including some of his finest music.

    Gulyak’s playing stayed fresh and precise throughout…  cleanly articulating even the most devilish passages, with volcanic crescendos that climaxed in blazes of brilliant sound, and lyrical passages with lovely, limpid tone  
    Washington Post, USA
  • Northern Chamber Orchestra
    23 July
    £18
    3pm  
    1 hour 40 minutes
    directed by Nicholas Ward

    Nicholas Daniel oboeHaydn   Symphony no. 26, Lamentation
    Strauss   Oboe Concerto
    Schubert  Entracte from Rosamunde
    Mozart   Symphony no. 40

    The Festival’s resident orchestra enjoys two classical symphonies and continues our Straussian theme with the ‘happy glow of the inspiration of old-age’ that is his oboe concerto, joined by Nicholas Daniel, one of the country's most distinguished soloists.

    Nicholas Daniel was the very embodiment of that ‘classical’ spirit that Strauss exuberantly and nostalgically transformed in the filigree of his imagination 
    The Times
  • Pascal and Ami Rogé piano duet
    24 July  
    £18
    1pm  
    1 hour

    Debussy
    Petite Suite
    6 Préludes
    La Mer, poème symphonique

    Pascal Rogé is one of the great interpreters of French music – his name is synonymous with the best playing of French repertoire in the world today.  For several years Pascal has enjoyed playing recitals for four-hands with his partner Ami Rogé.  Together, they have travelled to the world’s prestigious festivals and concert halls, from New York to Beijing.  Their Debussy programme culminates in a version of La Mer which the composer wrote before the more familiar orchestral version, bringing every splash and ripple to life in a vividly exciting score.

    A concert of sheer delight and a reason for celebration – their pianism was seamlessly superb
    Dominion Post, Wellington
  • Larkin’s England in words and music
    24 July  
    £12
    3pm  
    1 hour 15 minutes
    with
    Ian Buckle  piano

    The poetry of Philip Larkin is much loved for its 'piquant mix of lyricism and discontent'.  25 years after his death Larkin's darkly humorous view of human foibles and failings has lost none of its power to provoke and delight.  Its bittersweet quality is present in much of the English piano literature by the poet's contemporaries, and Ian Buckle's selection of miniatures – from Bridge, Britten, Coates and Ireland to Colin Matthews and Graham Fitkin – is interspersed with readings to reflect the view of England created by 'the country's greatest post-war writer'.
  • The World’s Wife
    24 July  
    £10
    9.45pm 
    1 hour
    Adapted from the poems of Carol Ann Duffy
    Performed by Linda Marlowe
    Directed by Di Sherlock

    A new stage version of the acclaimed poems that imagines the wives’ perspective of famous men through the ages.  From Mrs Faust to Frau Freud, Queen Kong to Mrs Midas, this delightful show slices through history and myth, whilst casting an astute glance over the modern world.  Laced with dark humour and acerbic wit, this passionate exposé will enthral lovers of Duffy’s brilliant and often controversial verse. Linda Marlowe’s virtuoso performances have enjoyed great acclaim including international tours and West End seasons. 

    Joyfully refreshing. Oh, do go and see this: it's wonderful  
    The Observer
  • The cellos of the CBSO
    25 July
    £12
    12.30pm 
    1 hour

    de Falla  3 Dances from The Three-Cornered Hat
    Casals  Les Rois Mages 
    Casals   Song of the Birds
    Brubeck God's Love Made Visible
    Brubeck The Desert and the Parched Land
    de Falla  6 Popular Spanish Songs

    The uniquely wide range of the cello and the sonorous richness of its tone mean that it is the string instrument best suited to playing en masse.  The introduction to Rossini’s William Tell overture marks its first appearance in this medium and Romantic-era cellist-composers such as David Popper, and Heitor Villa-Lobos, have also done much to build a serious repertoire for cello ensemble.  The CBSO cellos perform regularly as an ensemble in Centre Stage, the CBSO’s own chamber music series, with a repertoire of transcriptions and original works ranging from JS Bach to Eric Coates. 
  • Aces High with VOCES8
    25 July  
    £18
    2.30pm 
    1 hour 30 minutes

    VOCES8 made such an impression last year in the little Chatsworth theatre that we simply had to invite them back so more people can experience their stylish performance!  With a dash of danger, a hint of high society and a mixture of three parts suave English gentleman to one part beautiful femme fatale, they offer the perfect Festival finale with a new programme of classic song from Gershwin and Kurt Weill to Nat King Cole and Bernstein.

    The a capella VOCES8 offers an impressive stage presence with imaginative theatricality and a well balanced programme  
    Classical Music Daily

 

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